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So we are nearing the middle of 2014 already, and the year is flying past. The beginning of the year was taken up with writing and sorting the book I have written of Steven Wilson Tour Blogs 2012 -2013. Titled 'Twice Around the World – Steven Wilson Tour Blogs 2012-2013′, the book is a road diary of the tours with songwriter/composer/producer Steven Wilson over the period and it was very exciting. 21 countries including North and South America, all over Europe, Australia, Israel and two special concerts at London's Royal Albert Hall and Royal Festival Hall (both sold out!). It is largely a photo journal with over 100 photos by the fantastic Lasse Hoile and the wonderful Diana Nitschke, as well as photos by Theo and by other band members and fans. The book is currently in the production stage and copies are expected to be released in July 2014. The first available copies will be going to the subscribers and sponsors who signed up to the successful Kickstarter Campaign.
Soft Machine Legacy has been very active, with a great gig at the Jazz Cafe in London recently, and a week on the 'Cruise to the Edge' progressive rock cruise in April 2014. Miami – Honduras – Cozumel – Miami in the company of the Steve Hackett Band, Yes, Marillion, UK, Tony Levin, Tangerine Dream, the Strawbs, Three Friends, and many others. It was a lot of fun and the Softs played 3 sets to the crowds. There have been other gigs in Lyon and more scheduled in Manchester, Kent, Finland and London. See live dates page for details.
Travis & Fripp will be seeing the release of 'Discretion' on CD and vinyl this summer. This release comprises an album originally released in 2012 as a Bowers and Wilkins speakers subscribers club only release – so very limited. This is the worldwide release of that recording.
Comprising a set largely of soundscapes but with some surprises in there too, the album starts and ends with a piece featured in some of the duo's live performances in 2010 – 'The Power to Believe' (from the album of the same name), in a stripped down and haunting version.Cipher continue with the expansion of the Past Lives project around the East Midlands – not only more performances, but workshops with local communities, collection of more local amateur vintage film footage and encouraging pride in local heritage and arts.Steven Wilson is talking of more recording in the Autumn and there are two great releases I was involved in that are coming out this summer – Nacaal from Tim Motzer's 'Goldbug' and 'Windjammer' from Echo Engine with Rob Palmer and Daniel Biro. More on those releases later.
Here we go, here we go...back on the road with Steven Wilson. So we are now back on he tour bus for another stint touring to promote 'the Raven that refused to sing' album and the new EP/ single 'Drive Home'. In September we went to Australia for 3 gigs. 3 cities, 6 days there, 7 flights and large doses of jetlag. It felt all a bit surreal and if we hadn't stopped by the Sydney Opera House I am not sure it would have felt like we were actually in Australia at all. Hotel, dinner, backstage, gig, bus, airport. It is like travelling in a bubble.
But the gigs were good, and there were some very appreciative fans. Good to see Daevid Allen and Orlando from Gong in Brisbane too (even if Daevid did tell Steven all the things he thought were wrong with the gig!)
Then we had the UK dates. I always enjoy touring in the UK. In my jazz life I have played hundreds of gigs around Britain, from jazz clubs to Arts Centres to rooms above pubs; a brewery visitor centre in St Austell, Cornwall to the library on Iona in Scotland. I love it! I seem to have done less of it and have been touring abroad more in the last few years since I have been doing more Prog type gigs (Steven Wilson/Soft Machine Legacy) and also the ambient experimental gigs with either Robert Fripp or Cipher. We had one day rehearsal to learn the new song (which has been going well) and for Chad to play in 'Sectarian' which he had not played with us before. It was good to visit Wolverhampton, Bristol (where I played a lot in the early 1990s with Andy Hague and others), Newcastle (an alreet toon!) and then the Royal Albert Hall, London. The Albert Hall was a highlight for me. Such a stunning venue and big crowd. Lots of friends there (including Robert Fripp, Tony Levin, Steve Hackett, Jakko, Davide Giovannini, Robyn Koh, Maggie Docherty) and my family too - which was lovely. The sound was really good and pleasing to get lots of comments that the flutes and saxes were particularly clear and audible, and we all felt we played pretty well. We all came off feeling really good about it and there was a cool aftershow hang too- one of those special nights.
I have just found out today that there is a four star glowing review of the gig in the Guardian which includes a reference to the 'preposterously honed and proficient band'. Nice. Then a couple of days off before off to Europe for another run - Netherlands, France, Poland, Scandinavia, Austria, Spain and a gig in Tel Aviv, Israel which should be fun. I have not been to Israel since playing at the Red Sea Jazz Festival in Eilat in 2000 with my own jazz quartet - which was an amazing experience. The tour has geared up as we are now travelling not just with a night liner tourbus and trailer but a whole other truck carrying our own full PA, lighting rig, and back line, and we have also extra crew to help with all of that. As the backstage rider gets refined I have noticed that it seems to be dividing between the rock 'n roll half and the health farm half - so we have vodka, beer, red wine, rum, and then blueberries, smoothies, nuts, humous and yes, Manuka honey! So on Tue we met up at K- West hotel in Shepherds Bush (named after the sign on the Ziggy Stardust cover) to get on the tour bus to set off to Dover. Adam brought a DVD box set of 'Breaking Bad' which we watched a couple of episodes of (pretty good in a dark sort of way) and at about 11 pm we got the ferry to Calais to continue on to Nijmegenfor the first gig. And here we are, ready to go. Soundcheck in one hour.