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Steven Wilson Tour Blog 2013

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Tour Blog Part 35 : Sao Paolo, Brazil

Teatro Bradesco, Sao Paolo, Brazil

And so we come to the last gig of this whirlwind tour. 3 continents, 14 countries, 39 cities, 40 concerts, playing to around 60,000 people. It has been one hell of a ride. The final gig was in São Paulo, Brazil. When we landed in São Paulo we went straight to the hotel. Most of us were pretty wiped out, so had room service dinner which was very good. The following day I spent quite a lot of time on FaceTime (which is like Skype but even better and only on Apple Macs) speaking with home in England dealing with family matters.

Eventually I went out for a walk just to take a look around the area local to the hotel. After all, I was in Brazil. At home the stereotypical image of Brazil is sunshine, beautiful beaches like Ipanema, smiling beautiful people and a sun baked outdoor life. Well, on my short walk, the heavens opened and I got drenched with rain. More like Manchester! I did take refuge in Starbucks, also known to some as the American Embassy, had a coffee and then looked around some shops before returning to the hotel. We left for the gig at 5 pm, though the crew had been there all day setting up. Despite the venue being a beautiful and large concert hall which reminded me of the Royal Festival Hall in London, unfortunately the in house crew and technicians were not great. In fact several of our crew, who are all fantastic said they had had the most difficult day of their working lives.

Things not turning up for hours, staff not doing their job, people being generally very unhelpful and chatting with their mates rather than working etc etc. However the two women who were representatives from the Promoter were excellent and very helpful. It is a credit to our guys that Steven did not even know there had been any problem until after the show, because they had made it all happen despite the poor in house crew. In the dressing room, Steven practised his introduction to the audience in Portuguese. He commented just how different it is to Spanish, but I think he did a good job at learning his bit.

Anyway...we went onstage at 9.30 pm. The audience was seated and until Steven asked them to stand, the response was very appreciative but slightly muted. It seems that when an audience stands the level of vocal enthusiasm increases significantly.

Actually the whole subject of how an audience responds is interesting. There were people in the audience who I know were listening intensely to the gig and very much enjoying it. They applauded enthusiastically but did not go crazy. I know this does not mean they liked it any less than those who did go crazy. I myself have been at concerts I loved, but did not go crazy.

For some, or many, listening to music is a very personal experience and an internal and almost solitary experience, even when there is a crowd. Music can affect one deeply and that need not necessarily go hand in hand with whooping and hollering and jumping up and down. So I do very much understand that. However.....standing on stage, it does fire up and inspire the band if the audience does go wild (as opposed to go mild).

I should say that the audiences have been absolutely fabulous on this tour, with special mentions (as far as I can remember in this jet-lagged state) for those in Montreal, Buenos Aires, Santiago, Mexico, Philadelphia, Glasgow and Paris.

So the gig in Sao Paulo went very well. We played well I think, the sound was good, the crowd was lovely. A couple of things did make me laugh out loud (or should I say 'lol'....argh) First of all, in the song 'Watchmaker', the gauze comes down at the front of the stage for the film, then the lights go up on the band and we play behind the gauze. When the lights went up, the gauze was resting on Guthrie's guitar and right in his face. Steven looked like he was sitting in a tent and Nick's tambourine and microphone were completely smothered! Jason and Scott from our crew ran around trying to pull it off them while Steven sang, but I think there was a big smile on his face, as it was all a little 'Spinal Tap'.

The other thing that still makes me smile, even after all these gigs is during the song 'Harmonie Korine', when Nick strikes a certain pose, which I call the 'Bassman of the Apocalypse'. (photo right) It looks like he is in a trance communing with a greater being directly above his head and channeling some incredible energy down the neck of his bass, like a lightening rod. I love it and it does make me chuckle.

After the gig I met up with my friend Leonardo Pavkovic from Moonjune records, who is also the manager of Soft Machine Legacy (and Allan Holdsworth and others). He is also a friend of Chad's. He is a top man and works very hard for music he is passionate about. My other guests were Fabio Golfetti and his son who came along with Leonardo. Fabio is the current guitarist in the band Gong, and I met him when I sat in with that band at the Shepherds Bush Empire in London last November. A very good guitarist and lovely bloke he is also involved in record distribution and dealt with distribution of some of the early Porcupine Tree albums in Brazil.

We chatted backstage for a while before going back to the hotel. As it was the last night of the tour we all had a very enjoyable drink in the bar before turning in. Great to talk with Nick (amongst others) about the scene in Birmingham in the early 1980s - the Rum Runner club, Barbarellas, Duran Duran, the group Fashion and the hip Oasis clothes market with its cool stalls where I used to hang out as a young teenager marvelling at the weird beautiful people.

By about 3 am it was time for packing my things for leaving and for sleep. The following morning I hoped to meet my friend Dave Sturt for breakfast as he had flown into São Paulo that morning for a couple of Gong gigs. There was a plan, but as he had just done the overnight flight from the UK, I was not surprised he did not make it. I did meet up with Leonardo again, with Chad and Adam and had a good chat over breakfast. We then said our good byes to the Americans in our group who were flying later and we left for the airport and the flight home. Ahhh......home. Looking forward to that very much.

So there we have it. The end of this amazing tour. I can honestly say that it has been one of the very best tours I have ever had the good fortune to be on. The music is great, the band and all the individual musicians in it are wonderful and I cannot imagine a better crew. It was extremely well organised and managed and we covered a lot of ground. Great to meet so many fans too. Five and half weeks on the road is exhausting, but it was made as comfortable as it can be. Of course it was very difficult being in Argentina so far from home when my mother passed away and I am thankful I could get home so soon after it happened.

And so, ladies and gentlemen, boys and girls, I hope you enjoyed the show if you were there. For those who read this blog (and I thank you for all the kind comments I have received), I hope you enjoyed having a ringside seat and a peek behind the scenes. It was a blast. And so I bid you...
Thank you and goodnight!

BUT, that is not in fact it, because there are some summer festival gigs coming up around Europe and then in the autumn the tour starts up again around the UK, Europe and beyond. So do check out the dates at stevenwilsonhq.com

If you have enjoyed this tour blog and/or my honking and tooting, please do visit my own recordings store at the ordering page. There are lots of CDs and vinyl albums both of my solo work and collaborations with Robert Fripp, Soft Machine Legacy, Cipher, Goldbug and others. I thought I would do a special promotion for anyone who has been reading the blog or wants to try some of my music, so I will throw in a signed photo, and for two or more CDs or vinyls I will also throw in an extra CD for free. Just message me through Facebook or the Message page on my website, write 'SWBlog' and say which extra CD you would like. How does that sound? I thank you.


The Royal Albert Hall
Tour Blog Part 34 : Buenos Aires, Argentina
 

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Thursday, 27 July 2017

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