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New Album – Pre-orders

PRE-ORDERS FOR CD AND VINYL SPECIAL PACKAGES CAN BE PLACED FROM MAY 20

On 6 July 2015, Theo releases his ninth solo album and his first solo album in eight years, with his band 'Double Talk'.
Transgression was recorded in January 2015 at Koolworld Studio in Luton and Steven Wilson applied his studio skills to the album as he mixed and mastered it in his own No Man's Land studio, just before launching his own 'Hand Cannot Erase' world tour.
Theo says "It is an instrumental, bluesy, progressive jazz album. It reflects many of my influences and inspirations and I think it is both personal and of broad appeal – at least if you are into melody and powerful bluesy electric jazz with a strong 1970s influence. After a recent gig by the band, a member of the audience said to me 'This was the first time I've ever heard you play in your own band. Having heard you live before with Gong, Soft Machine, The Tangent, Steven Wilson, I knew it was going to be excellent – and it was' which was a very pleasing response to the music.
The line-up includes Nic France on drums, Mike Outram on guitar and Pete Whittaker on Hammond organ. "It is very much a live band and the album was recorded in the studio but all playing together live and watching each other intently. I think that immediacy and excitement comes across. I've written most of the music and much of it reflects my love of music from the late 1960s and early 1970s when the boundaries between Jazz, Rock and Experimental music were more fluid, though I think the music we have recorded still sounds contemporary. You might be able to hear the influences of King Crimson, Mahavishnu Orchestra as well as late Talk Talk, and ECM artists such as Terje Rypdal and my friend Palle Mikkelborg."
The album also includes an instrumental version of a track co-written with keyboard player and composer Andy Tillison – the title track from the Tangent's third album A Place In The Queue. There's also a cover of Robert Wyatt's tune Maryan and a track written with Dave Sturt of Cipher and the recent Gong line-up called Everything I Feared. The track Smokin'at Klooks is a tribute to Klooks Kleek the North London Jazz and Blues club open in the late 1960s, which was in a pub near where Theo used to live. A small club – it used to host such names as Keith Richards, Peter Green, Eric Clapton and Jimi Hendrix! A real melting pot and springboard for so many great musicians and so much great music.
Nic France played on Steven Wilson's Grace For Drowning album and also on David Gilmour's Live At The Royal Festival Hall DVD. He also was the original drummer with Loose Tubes and has played with Kate Bush, Robert Wyatt, Alan Holdsworth, and Working Week.
Mike Outram played on two of Steven Wilson's albums as well as with Herbie Mann, Carleen Anderson, Jacqui Dankworth and with poet Michael Rosen.
Pete Whittaker plays regularly with guitarists John Etheridge and Nigel Price and was a touring member of The Wonder Stuff and Catherine Wheel.
The album is released on CD on July 6 on Esoteric Recordings and there will be a vinyl edition on Tonefloat records – a 12 inch album, plus for the first pressing a bonus 7 inch of the remaining tracks.
The release will be followed by a UK tour in the Autumn of 2015. An early London preview gig has already been announced to coincide with the release – July 2 at the Vortex 11 Gillett Square, London N16 8AZ (020 7254 4097) http://www.vortexjazz.co.uk/events/2015-07-02/
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THESE PACKAGES WILL BE ON OFFER FROM THIS SITE FROM MAY 20

'Transgression' Special Package Pre-orders

Exclusive to pre-orders from this website are a very limited number of special packages – 100 CD packages and 100 vinyl packages. See below for details.

CD Special Package
1. CD – signed by all 4 members of the band
2. Exclusive Photo print of the band signed by all 4 members of the band
3 Exclusive Photo print of TT – signed by Theo.
4. Two exclusive Double Talk tracks. High resolution downloads (24 bit /48k) personally e mailed to you
a) Goodbye Pork Pie Hat – recorded live in concert at Teignmouth Jazz Festival Nov 2014
b) Fire Mountain – alternate and longer studio take of storming first track on album composed by Theo. Mixed and mastered by Steven Wilson.

Cost- UK £21 + £2p+p (£23.00)
Rest of world – £21 + £5.50 p+p (£26.50)

Vinyl Special Package
1. Vinyl edition of album – including 12 inch LP plus 7 inch single – signed by all 4 members of the band
2. Exclusive Photo print of the band signed by all 4 members of the band
3 Exclusive Photo print of TT – signed by Theo
4. Two exclusive tracks. High resolution downloads (24 bit /48k) personally e mailed to you
a) Goodbye Pork Pie Hat – recorded live in concert at Teignmouth Jazz Festival Nov 2014
b) Fire Mountain – alternate and longer studio take of storming first track on album. Mixed and mastered by Steven Wilson.

Cost for vinyl package (incl 12 inch plus 7 inch)
UK – - £26 + £4 p+ p (£30)
Rest of world – £26 + £8.00 (£33.00)

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New Album! Theo Travis' Double Talk : "Transgression"

New Album! Theo Travis' Double Talk : "Transgression"

SPECIAL PACKAGE PRE ORDERS NOW OPEN

On 6 July 2015, Theo releases his ninth solo album and his first solo album in eight years, with his band 'Double Talk'.

Transgression was recorded in January 2015 at Koolworld Studio in Luton and Steven Wilson applied his studio skills to the album as he mixed and mastered it in his own No Man's Land studio, just before launching his own 'Hand Cannot Erase' world tour.

Theo says "It is an instrumental, bluesy, progressive jazz album. It reflects many of my influences and inspirations and I think it is both personal and of broad appeal – at least if you are into melody and powerful bluesy electric jazz with a strong 1970s influence.

After a recent gig by the band, a member of the audience said to me 'This was the first time I've ever heard you play in your own band. Having heard you live before with Gong, Soft Machine, The Tangent, Steven Wilson, I knew it was going to be excellent - and it was' which was a very pleasing response to the music.

The line-up includes Nic France on drums, Mike Outram on guitar and Pete Whittaker on Hammond organ. "It is very much a live band and the album was recorded in the studio but all playing together live and watching each other intently. I think that immediacy and excitement comes across. I've written most of the music and much of it reflects my love of music from the late 1960s and early 1970s when the boundaries between Jazz, Rock and Experimental music were more fluid, though I think the music we have recorded still sounds contemporary. You might be able to hear the influences of King Crimson, Mahavishnu Orchestra as well as late Talk Talk, and ECM artists such as Terje Rypdal and my friend Palle Mikkelborg."

The album also includes an instrumental version of a track co-written with keyboard player and composer Andy Tillison – the title track from the Tangent's third album A Place In The Queue. There's also a cover of Robert Wyatt's tune Maryan and a track written with Dave Sturt of Cipher and the recent Gong line-up called Everything I Feared. The track Smokin'at Klooks is a tribute to Klooks Kleek the North London Jazz and Blues club open in the late 1960s, which was in a pub near where Theo used to live. A small club – it used to host such names as Keith Richards, Peter Green, Eric Clapton and Jimi Hendrix! A real melting pot and springboard for so many great musicians and so much great music.

Nic France played on Steven Wilson's Grace For Drowning album and also on David Gilmour's Live At The Royal Festival Hall DVD. He also was the original drummer with Loose Tubes and has played with Kate Bush, Robert Wyatt, Allan Holdsworth, and Working Week.

Mike Outram played on two of Steven Wilson's albums as well as with Herbie Mann, Carleen Anderson, Jacqui Dankworth and with poet Michael Rosen.

Pete Whittaker plays regularly with guitarists John Etheridge and Nigel Price and was a touring member of The Wonder Stuff and Catherine Wheel.

The album is released on CD on July 6 on Esoteric Recordings and there will be a vinyl edition on Tonefloat records – a 12 inch album, plus for the first pressing a bonus 7 inch of the remaining tracks.

The release will be followed by a UK tour in the Autumn of 2015.

An early London preview gig has already been announced to coincide with the release – July 2 at The Vortex 11 Gillett Square, London N16 8AZ (020 7254 4097)

Click here for Show Information

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London Double Talk Date

STOP PRESS!!!

My band Double Talk with Mike Outram on guitar, Pete Whittaker on organ and Nic France –have a London date previewing the material from the new album 'Transgression' Thursday July 2.

It is at the great jazz club in Dalston – 'The Vortex'. Please come along. It is going to be fab!

11 Gillett Square,
London N16 8AZ
020 7254 4097

http://www.vortexjazz.co.uk/

Hopefully see you there.

Cheers

Theo

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Daevid Allen – A Personal Reflection

Daevid Allen was born in Australia in 1938, but his springboard to musical legend came after he moved to the UK in 1961. He was a founder member of Soft Machine in 1966, but became best known after starting madcap psychedelic rockers Gong. The band are best known for their Radio Gnome Trilogy, made up of the albums Flying Teapots, Angel's Egg and You. Although he left Gong in 1975, he resuscitated the band in 1991 and played with them until their last album 'I See You' in 2014.

I first encountered Daevid Allen in 1999 when, through a series of happy accidents, I joined Gong at short notice for a European Tour filling in for Didier Malherbe, playing saxes and flutes. I had heard little of Gong's music and was barely aware of Daevid though I knew some of Gong member Steve Hillage's music, particularly his album 'Fish Rising' which I thought was great. Joining Gong was a turning point in my musical life. For 10 years I toured the world and recorded with Daevid and the band, playing saxes, flutes and some keyboards and I co-wrote much of the 'Zero to Infinity' album. I recently read of Daevid Allen's music being 'like Sun Ra meets Vivian Stanshall meets DIY punk meets a really big fucking bong' and I think that just about sums it up!

When I met Daevid, I was immediately taken with his openness, his love of music and words and his sense of wonder and almost childlike curiosity about the world. He was continuously excited by all things artistic and creative. He took great delight in words– whether poetry, lyrics, puns, or just the fun of language and games with word play. I spent endless hours with Daevid and Mike Howlett on tour buses around the world joking and playing with words and rhymes.

With Gong, Daevid was very happy to be an equal part of a group and although he was the soul of the band, wrote the majority of the music, did most of the singing and fronted the band, he was very generous with sharing out songs and instrumental solos and encouraged everyone to write music for the group. He also shared out songwriting credits in a far more generous manner than most in his position would.

Daevid was a talented guitarist and a great improviser. There was a wonderful freedom of spirit in his playing which I enjoyed very much – much more than all the technically accomplished rock guitarists who have everything worked out and pre-prepared. I once heard his soloing style described as like an airplane taking off and you never knew how it would land and I think that was right. Anything could happen and his solos were unpredictable. When one is truly improvising, things don't always work out- but that is the risk you take. Daevid was wholeheartedly improvising and some magical music and guitar playing resulted. His glissando guitar technique which he said was inspired by Syd Barrett was wonderful and at times awe inspiring – washes of sound, harmony and textures floating in space. He also said that Syd Barrett was the original inspiration for singing with the strong London accent – a characterful style of singing that he, Robert Wyatt, Richard Sinclair (of Caravan) – and later David Bowie – all adopted, at least for a while.

Daevid not only started off the bands Gong and Soft Machine (both which I have enjoyed playing with for many years) , he also recorded many solo albums, and formed University of Errors, Brainville, Magick Brothers and various other groups. He was a catalyst for an enormous amount of much music making and musicians and poets worldwide were drawn to him for his creativity and his huge enthusiasm for life.

He loved jazz, free form improvisation, songs, experimental music, folk music, nursery rhymes, noise music, chanting and all sorts of fringe musics. He used to wind people (including myself!) up by saying he 'hated the Beatles'. He also said he 'hated Prog'. He embraced punk and new wave music and there was often a youthful and fiery energy to his music, from his band Planet Gong right up to the end. On the very last Gong album – 'I See You' there are almost punk like thrashes that sound like a band of seventeen year olds – not a 76 year old man – and certainly not a music icon from the 1970s.

Daevid was kind, fun, inspiring, encouraging, endlessly creative, and an original thinker. A big fan of the Goon Show, his crazy humour was loved by millions though he also saw it as having a revolutionary edge to it too. I think it was in the subversiveness. The Flying Teapot trilogy, Radio Gnome and the Pot Headed Pixies were all wonderful inventions – charmingly bonkers. He was not one to toe the line and could often be contrary – sometimes infuriatingly so. One funny anecdote I remember was that he went to a legalise cannabis event in Hyde Park in around 2001 as a special guest as he was such a leader of the counter-cultrure movement. You would not believe how many people I have heard say that they had their first trip listening to Gong's music. Anyway Daevid went to this event at Hyde Park and in front of a big crowd, stood up and said 'Ban cannabis! It's terrible for you! And the throng of people in their stoned haze just cheered – 'Yay! Great!' Hilarious and very Daevid.

Of course being the age he was Daevid was right there when it was all happening in the 1960s. He lent Jimi Hendrix his first amp when he came to London, and enjoyed playing chess with him. He played alongside all the rock greats when they were starting out. He was in Paris during the riots in 1968 and the Stonehenge and Glastonbury festivals in the early 1970s. Gong were one of Richard Branson's very first bands on Virgin records. I loved to hear his stories about those times.

I always felt that Daevid was 'the real thing' not someone trying to be a rock star or a poseur. He was living the alternative lifestyle full of music, poetry and life before such a thing was even invented. An artistic beatnik, an intellectual hippie, a comic surrealist and a poetic musician. A true original and an inspiration to so many.

All over the world I have encountered so much love for Daevid and his music. He has now had his last cuppa tea and left us on his flying teapot to another place. Farewell and bon voyage. I feel honoured to have known him. And thank you for the music you daft old bugger.

Theo Travis
March 2015

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Cipher : Pandora's Box


Looking for more Cipher Soundtracks? Click this link to see more!

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